SIFF Day 8 (May 26): Paper Birds

I skipped SIFF today due to another commitment, but went over to Renton to catch the post-screening Q&A for "Paper Birds," which I saw (and loved) at a festival preview event.

Director Emilio Aragon is a warm and affable man and a fourth-generation comedian performer. He co-wrote the film by drawing from stories and anecdotes he heard from his own family; his father appeared in the film in a small but critical role. In answering the audience's questions, he talked about the inspirations behind the setup of the story, and his experience working with the talented group of actors, including the young kid. I asked a question about the film's art direction and cinematography. Emilio revealed that the art director used to work in opera but never before in film; and that the cinematographer was his right hand man in fighting with his producer. The final question was about the state of film industry in Spain. He commented that new technology has allowed a lot of talented young people to enter filmmaking, and he is optimistic about the future. He also said he still considers himself as "young", even though he is 52.

Here again is my review of the film, which will screen two more times this weekend:

Paper Birds (Spain) - A

If you are allergic to emotional stories, heart-tugging turn of events, and orchestra music that swells on cue, don't see this film. Otherwise, don't miss it! The complex and layered plot is accentuated with refined acting, atmospheric cinematography, and snazzy performance numbers. There are moments and elements that remind me of "Schindler's List," "The Sound of Music," and "The Curious Case of Benjamin Button" - not a bad class to be in. And the ending is perfect.